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chapter:
INTRODUCTION
CHAPTER I: THE FORUM AND BASILICA
CHAPTER II: THE TREASURY, PRISON, AND SENATE HOUSE
CHAPTER III: THE THEATRE: ITS SITE, FOUNDATIONS, AND ACOUSTICS
CHAPTER IV: HARMONICS
CHAPTER V: SOUNDING VESSELS IN THE THEATRE
CHAPTER VI: PLAN OF THE THEATRE
CHAPTER VII: GREEK THEATRES
CHAPTER VIII: ACOUSTICS OF THE SITE OF A THEATRE
CHAPTER IX: COLONNADES AND WALKS
CHAPTER X: BATHS
CHAPTER XI: THE
PALAESTRA
CHAPTER XII: HARBOURS, BREAKWATERS, AND SHIPYARDS
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3. Furthermore, since I have observed that our citizens are distracted with public affairs and private business, I have thought it best to write briefly, so that my readers, whose intervals of leisure are small, may be able to comprehend in a short time. Then again, Pythagoras and those who came after him in his school thought it proper to employ the principles of the cube in composing books on their doctrines, and, having determined that the cube consisted of 216 1 lines, held that there should be no more than three cubes in any one treatise.
1 Codd. CC & L.
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
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