P. Vergilius Maro, Aeneid
John Dryden, Ed.

When Daedalus, to fly the Cretan shore,
His heavy limbs on jointed pinions bore,
(The first who sail'd in air,) 't is sung by Fame,
To the Cumaean coast at length he came,
And here alighting, built this costly frame.
Inscrib'd to Phoebus, here he hung on high
The steerage of his wings, that cut the sky:
Then o'er the lofty gate his art emboss'd
Androgeos' death, and off'rings to his ghost;
Sev'n youths from Athens yearly sent, to meet
The fate appointed by revengeful Crete.
And next to those the dreadful urn was plac'd,
In which the destin'd names by lots were cast:
The mournful parents stand around in tears,
And rising Crete against their shore appears.
There too, in living sculpture, might be seen
The mad affection of the Cretan queen;
Then how she cheats her bellowing lover's eye;
The rushing leap, the doubtful progeny,
The lower part a beast, a man above,
The monument of their polluted love.
Not far from thence he grav'd the wondrous maze,
A thousand doors, a thousand winding ways:
Here dwells the monster, hid from human view,
Not to be found, but by the faithful clew;
Till the kind artist, mov'd with pious grief,
Lent to the loving maid this last relief,
And all those erring paths describ'd so well
That Theseus conquer'd and the monster fell.
Here hapless Icarus had found his part,
Had not the father's grief restrain'd his art.
He twice assay'd to cast his son in gold;
Twice from his hands he dropp'd the forming mold.

All this with wond'ring eyes Aeneas view'd;
Each varying object his delight renew'd:
Eager to read the rest—Achates came,
And by his side the mad divining dame,
The priestess of the god, Deiphobe her name.
“Time suffers not,” she said, “to feed your eyes
With empty pleasures; haste the sacrifice.
Sev'n bullocks, yet unyok'd, for Phoebus choose,
And for Diana sev'n unspotted ewes.”
This said, the servants urge the sacred rites,
While to the temple she the prince invites.