P. Vergilius Maro, Aeneid
Theodore C. Williams, Ed.

Soon as the funeral pyre was builded high
in a sequestered garden, Iooming huge
with boughs of pine and faggots of cleft oak,
the queen herself enwreathed it with sad flowers
and boughs of mournful shade; and crowning all
she laid on nuptial bed the robes and sword
by him abandoned; and stretched out thereon
a mock Aeneas;—but her doom she knew.
Altars were there; and with loose locks unbound
the priestess with a voice of thunder called
three hundred gods, Hell, Chaos, the three shapes
of triple Hecate, the faces three
of virgin Dian. She aspersed a stream
from dark Avernus drawn, she said; soft herbs
were cut by moonlight with a blade of bronze,
oozing black poison-sap; and she had plucked
that philter from the forehead of new foal
before its dam devours. Dido herself,
sprinkling the salt meal, at the altar stands;
one foot unsandalled, and with cincture free,
on all the gods and fate-instructed stars,
foreseeing death, she calls. But if there be
some just and not oblivious power on high,
who heeds when lovers plight unequal vow,
to that god first her supplications rise.