Pseudo-Plutarch, De musica
Goodwin, Ed.

Most noble Onesicrates, said he, since you have engaged us to speak our knowledge concerning the most venerable excellencies of music, which is most pleasing to the Gods, I cannot but approve the learning of our master Lysias, and his great memory in reciting all the inventors of the ancient music, and those who have written concerning it. But I must needs say, that he has given us this account, trusting only to what he has found recorded. We on the other side have not heard of any man that was the inventor of the benefits of music, but of the God Apollo, adorned with all manner of virtue. The flute was neither the invention of Marsyas nor Olympus nor Hyagnis; nor was the harp Apollo's invention only, but as a God he was the inventor of all the music both of the flute and harp. This is manifest from the dances and sacrifices which were solemnized to Apollo, as Alcaeus and others in their hymns relate. His statue also placed in the Temple of Delos holds in his right hand a bow; at his left the Graces stand, with every one a musical instrument in her hands, one carrying a harp, another a flute, another with a shepherd's pipe set to her lips. And that this is no conceit of mine appears from this, that Anticles and Ister have testified the same in their commentaries upon these things. And the statue is reported to be so ancient, that the artificers were said to have lived in the time of Hercules. The youth also that carries the Tempic laurel into Delphi is accompanied by one playing upon the flute. And the sacred presents of the Hyperboreans were sent of old to Delos, attended with flutes, pipes, and harps. Some have thought that the God himself played upon the flute, as the best of [p. 114] lyrics, Alcman, relates. Corinna also asserts that Apollo was by Minerva taught to pipe. Venerable is therefore music altogether, as being the invention of the Gods.