[2]
δισκεύειν ἐμάνθανε κἀγὼ συνεδίσκευον
αὐτῷ, ὁ δὲ κάκιστα ἀνέμων ἀπολούμενος ὁ Ζέφυρος ἤρα
[p. 93]
μὲν ἐκ πολλοῦ καὶ αὐτός, ἀμελούμενος δὲ καὶ μὴ φέρων
τὴν ὑπεροψίαν, ἐγὼ μὲν ἀνέρριψα, ὥσπερ εἰώθειμεν, τὸν
δίσκον ἐς τὸ ἄνω, ὁ δὲ ἀπὸ τοῦ Ταϋγέτου καταπνεύσας
ἐπὶ κεφαλὴν τῷ παιδὶ ἐνέσεισε φέρων αὐτόν, ὥστε ἀπὸ
τῆς πληγῆς αἷμά τε ῥυῆναι πολὺ καὶ τὸν παῖδα εὐθέως
ἀποθανεῖν. ἀλλὰ ἐγὼ τὸν μὲν Ζέφυρον αὐτίκα ἠμυνάμην
κατατοξεύσας, φεύγοντι ἐπισπόμενος ἄχρι τοῦ ὄρους,
τῷ παιδὶ δὲ καὶ τὸν τάφον μὲν ἐχωσάμην ἐν Ἀμύκλαις,
ὅπου ὁ δίσκος αὐτὸν κατέβαλε, καὶ ἀπὸ τοῦ αἵματος ἄνθος
ἀναδοῦναι τὴν γῆν ἐποίησα ἥδιστον, ὦ Ἑρμῆ, καὶ
εὐανθέστατον ἀνθέων ἁπάντων, ἔτι καὶ γράμματα ἔχον
ἐπαιάζοντα τῷ νεκρῷ. ἆρά σοι ἀλόγως λελυπῆσθαι δοκῶ;
Ἑρμῆς
ναί, ὦ Ἄπολλον: ᾔδεις γὰρ θνητὸν πεποιημένος
τὸν ἐρώμενον: ὥστε μὴ ἄχθου ἀποθανόντος.
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Luciani Samosatensis Opera, Vol I. Lucian. Karl Jacobitz. in aedibus B. G. Teubneri. Leipzig. 1896. Keyboarding.
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