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section 652asection 652bsection 653asection 653bsection 653csection 653dsection 653esection 654asection 654bsection 654csection 654dsection 654esection 655asection 655bsection 655csection 655dsection 655esection 656asection 656bsection 656csection 656dsection 656esection 657asection 657bsection 657csection 657dsection 657esection 658asection 658bsection 658csection 658dsection 658esection 659asection 659bsection 659csection 659dsection 659esection 660asection 660bsection 660csection 660dsection 660esection 661asection 661bsection 661csection 661dsection 661esection 662asection 662bsection 662csection 662dsection 662esection 663asection 663bsection 663csection 663dsection 663esection 664asection 664bsection 664csection 664dsection 664esection 665asection 665bsection 665csection 665dsection 665esection 666asection 666bsection 666csection 666dsection 666esection 667asection 667bsection 667csection 667dsection 667esection 668asection 668bsection 668csection 668dsection 668esection 669asection 669bsection 669csection 669dsection 669esection 670asection 670bsection 670csection 670dsection 670esection 671asection 671bsection 671csection 671dsection 671esection 672asection 672bsection 672csection 672dsection 672esection 673asection 673bsection 673csection 673dsection 673esection 674asection 674bsection 674c
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[669d]
a tune or verses of an opposite style. Nor would the Muses ever combine in a single piece the cries of beasts and men, the clash of instruments, and noises of all kinds, by way of representing a single object; whereas human poets, by their senselessness in mixing such things and jumbling them up together, would furnish a theme for laughter to all the men who, in OrpheusÕ phrase, “have attained the full flower of joyousness.” For they behold all these things jumbled together, and how, also, the poets rudely sunder rhythm and gesture from tune, putting tuneless words into meter, or leaving time and rhythm
Plato. Plato in Twelve Volumes, Vols. 10 & 11 translated by R.G. Bury. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1967 & 1968.
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