φαῦλον, ἄκομψον, τὰ μέγιστ᾽ ἀγαθόν,1[p. 494] σχολῆς ἐνέπλησε καὶ λαλιᾶς περὶ τεχνῶν καὶ τεχνιτῶν, ἀστεϊζόμενον καὶ διατρίβοντα πρὸς τούτῳ πολὺ μέρος τῆς ἡμέρας, οὐ μὴν ἀλλὰ τούτοις ἐσεμνύνετο καὶ πρὸς τοὺς Ἕλληνας, ὡς τὰ καλὰ καὶ θαυμαστὰ τῆς Ἑλλάδος οὐκ ἐπισταμένους τιμᾶν καὶ θαυμάζειν Ῥωμαίους διδάξας.
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τὸν δὲ Μάρκελλον ἀνακαλουμένων τῶν Ῥωμαίων ἐπὶ τὸν ἐγχώριον καὶ σύνοικον πόλεμον, ἐπανερχόμενος τὰ πλεῖστα καὶ κάλλιστα τῶν ἐν
[p. 492]
Συρακούσαις ἐκίνησεν ἀναθημάτων, ὡς αὐτῷ τε πρὸς τὸν θρίαμβον ὄψις εἴη καὶ τῇ πόλει κόσμος. οὐδὲν γὰρ εἶχεν οὐδ᾽ ἐγίνωσκε πρότερον τῶν κομψῶν καὶ περιττῶν, οὐδὲ ἦν ἐν αὐτῇ τὸ χάριεν τοῦτο καὶ γλαφυρὸν ἀγαπώμενον,
[2]
ὅπλων δὲ βαρβαρικῶν καὶ λαφύρων ἐναίμων ἀνάπλεως οὖσα καὶ περιεστεφανωμένη θριάμβων ὑπομνήμασι καὶ τροπαίοις οὐχ ἱλαρὸν οὐδ᾽ ἄφοβον οὐδὲ δειλῶν ἦν θέαμα καὶ τρυφώντων θεατῶν, ἀλλ᾽ ὥσπερ Ἐπαμεινώνδας τὸ Βοιώτιον πεδίον Ἄρεως ὀρχήστραν, Ξενοφῶν δὲ τὴν Ἔφεσον πολέμου ἐργαστήριον, οὕτως ἄν μοι δοκεῖ τις τότε τὴν Ῥώμην κατὰ Πίνδαρον ‘βαθυπτολέμου τέμενος Ἄρεως’ προσειπεῖν.
[3]
διὸ καὶ μᾶλλον εὐδοκίμησε παρὰ μὲν τῷ δήμῳ Μάρκελλος ἡδονὴν ἐχούσαις καὶ χάριν Ἑλληνικὴν καὶ πιθανότητα διαποικίλας ὄψεσι τὴν πόλιν, παρὰ δὲ τοῖς πρεσβυτέροις Φάβιος Μάξιμος, οὐδὲν γὰρ ἐκίνησε τοιοῦτον οὐδὲ μετήνεγκεν ἐκ τῆς Ταραντίνοις πόλεως ἁλούσης, ἀλλὰ τὰ μὲν ἄλλα χρήματα καὶ τὸν πλοῦτον ἐξεφόρησε, τὰ δὲ ἀγάλματα μένειν εἴασεν, ἐπειπὼν τὸ μνημονευόμενον ‘ἀπολείπωμεν’ γὰρ ἔφη,
[4]
‘τοὺς
θεοὺς τούτους τοῖς Ταραντίνοις κεχολωμένους.’ Μάρκελλον δ᾽ ᾐτιῶντο πρῶτον μὲν ὡς ἐπίφθονον ποιοῦντα τὴν πόλιν, οὐ μόνον ἀνθρώπων, ἀλλὰ καὶ θεῶν οἷον αἰχμαλώτων ἀγομένων ἐν αὐτῇ καὶ πομπευομένων, ἔπειτα ὅτι τὸν δῆμον εἰθισμένον πολεμεῖν ἢ γεωργεῖν,
[5]
τρυφῆς δὲ καὶ ῥᾳθυμίας ἄπειρον ὄντα καὶ κατὰ τὸν Εὐριπίδειον Ἡρακλέα,
Plutarch. Plutarch's Lives. with an English Translation by. Bernadotte Perrin. Cambridge, MA. Harvard University Press. London. William Heinemann Ltd. 1917. 5.
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