Plutarch, Timoleon
Bernadotte Perrin, Ed.

14. But as for Dionysius, after his arrival at Corinth there was no Greek who did not long to behold and speak to him. But those who rejoiced in his misfortunes were lead by their hatred to come together gladly that they might trample, as it were, upon one who had been cast down by Fortune; while those who regarded rather the reversal of his fortune and sympathised with him, saw strong proof, amid the weakness of things that are human and seen, of the power of causes that are unseen and divine. [2] For that age showed no work either of nature or of art that was comparable to this work of Fortune, namely, the recent tyrant of Sicily in Corinth, whiling his time away at a fishmonger's or sitting in a perfumer's shop, drinking diluted wine from the taverns and skirmishing in public with common prostitutes, or trying to teach music-girls in their singing, and earnestly contending with them about songs for the stage and melody in hymns. [3] Some thought that Dionysius did these things as an aimless loiterer, and because he was naturally easy-going and fond of license; but others thought that it was in order to be held in contempt and not in fear by the Corinthians, nor under suspicion of being oppressed by the change in his life and of striving after power, that he engaged in these practices and played an unnatural part, making a display of great silliness in the way he amused himself.