Plutarch, Camillus
Bernadotte Perrin, Ed.

6. After he had utterly sacked the city, he determined to transfer the image of Juno to Rome, in accordance with his vows. The workmen were assembled for the purpose, and Camillus was sacrificing and praying the goddess to accept of their zeal and to be a kindly co-dweller with the gods of Rome, when the image, they say, spoke in low tones and said she was ready and willing. [2] But Livy ¹ says that Camillus did indeed lay his hand upon the goddess and pray and beseech her, but that it was certain of the bystanders who gave answer that she was ready and willing and eager to go along with him.

Those who insist upon and defend the marvel have a most powerful advocate for their contention in the fortune of the city, which, from its small and despised beginning, could never have come to such a pinnacle of glory and power had God not dwelt with her and made many great manifestations of himself from time to time. [3] Moreover, they adduce other occurrences of a kindred sort, such as statues often dripping with sweat, images uttering audible groans, turning away their faces, and closing their eyes, as not a few historians in the past have written. And we ourselves might make mention of many astonishing things which we have heard from men of our own time,—things not lightly to be despised. But in such matters eager credulity and excessive incredulity are alike dangerous, because of the weakness of our human nature, which sets no limits and has no mastery over itself, but is carried away now into vain superstition, and now into contemptuous neglect of the gods. Caution is best, and to go to no extremes.