Side A: oblique from right

Side B: oblique from right

Side A: oblique from left

Collection: Indiana University Art Museum
Summary: Dionysiac thiasos.
Ware: Attic Black Figure
Painter: Attributed to the Rycroft Painter
Date: ca. 520 BC - 510 BC
Dimensions:

H. as restored 34.0 cm., D. 26.8 cm., D. of mouth 14.6 cm.
Primary Citation: Moon 1979, no. 64, pp. 112-113
Shape: Psykter
Beazley Number: 5187
Period: Archaic

Decoration Description:

The subject is a Dionysiac thiasos. Dionysos is mounting a quadriga, holding the reins with both hands. An ithyphallic satyr faces him and raises a kantharos to his lips. Behind him a maenad with krotala dances to right, looking round. At the head of the cortege, Hermes advances to right, also looking round. He is preceded by a satyr playing the flutes and another one moving to right, looking back. Behind the chariot a satyr, carrying a full wineskin on his left shoulder, follows on foot. He looks round at three pairs of satyrs and maenads: the pair closest to him is dancing, the one in the middle is shown in an embrace, and the farthest one, again dancing, moves in the opposite direction. Although the scene is continuous, the three pairs can be called the reverse. It is also not without significance that there are no vines in the background and that the satyrs are not ithyphallic.

Added red: alternate ivy leaves in Dionysos' hair, beard of Dionysos (but not his hair); satyrs' beards (but not hair), satyrs' tails; wings on Hermes' boots; details of chariot box, horses' manes and breastbands in thin lines; occasional fine stripes on garments; alternate elements in tongue-pattern. Added white: flesh of maenads and middle fold of Dionysos' himation (almost totally worn off).

The lip is decorated by an ivy wreath that has an undulating red vine.

An attribution to the Rycroft Painter is borne out by the figure of Hermes that is very close to the Hermes on Boston 98.919 (ABV, 335, no. 3) and the satyrs that are paralleled on, e.g., Louvre F 209 (ABV, 335, no. 6), Worcester 1956.83 (ABV, 335, no. 5 bis), Rouen 447 (Para., 148, no. 5 quater), Oxford 1911.256 (ABV, 336, no. 11) and Taranto 31 (ABV, 336, no. 12). Dionysos mounting his chariot also appears on the amphora in Vienna (ABV, 335, no. 4). In the latter he holds the reins and his kantharos; here it looks as if he has given the kantharos to the satyr, who — and this is unusual — drinks from it.

The ivy on the rim is close to the ivy on the mouth of the Rycroft Painter's calyx-krater in Toledo (Para., 149, no. 23 bis) and fragments of calyx-kraters by him in the collections of Iris C. Love and Malibu 75 AE 14. Psykters with decorated mouth are rare: an earlier psykter in Houston, signed by Nikosthenes as potter, but not by Painter N as often asserted (Boardman 1974, fig. 154,1), also has an ivy wreath but with corymbs between the leaves. Here the foot of the psykter is in two degrees, and I suspect that the missing foot of the Bloomington psykter should not have been restored as a torus.

Shape Description:

Psykters with decorated mouths are rare.

Essay:

Moon No. 64

Sources Used:

Moon 1979, no. 64, p. 112-113